Textile Products - A History

Webster's Dictionary defines Textiles as: "Pertaining toovercame both the French and local rulers to take
weaving or to woven fabrics; woven, capable of beingpower in Bengal in eastern India.
woven; formed by weaving."The Company grew immensely wealthy, and created
This definition extends to a wide variety of clothing,great cities at Calcutta, Madras and, later, Bombay.
bedding, and fabric related products. Articles ofDuring the eighteenth century, British merchants and
nightwear, hosiery, sportswear, and apparel are alladministrators commanded luxurious households, and
considered textile products.elegant furniture was made by Indian craftsmen to
Chinese textiles, China and India currently dominate theEuropean taste.
international market for textiles.By the mid-nineteenth century, Britain had annexed
Material of composition can be silk, wool, man-madehuge areas of India. British administrators imposed
fibre, cotton, lace, leather , furskins and even rubberstringent taxes and laws and damaged the livelihood
and plastic.of Indian craftsmen by importing cheap mill-made cloth
Textiles manufacturing can be either materialsfrom Lancashire. Widespread discontent erupted
production, processing and finishing or textiles andamong Indian troops in 1857, and the Company's troops
clothing design or manufacturing of made-up articles.lost control of much of northern and central India. In the
Materials production and processing includes preparingwake of the revolt, the East India Company was
and spinning raw textile fibres, weaving textiles likeabolished by the British Government, who took over
cotton, wool and silk, and the manufacture of otherdirect responsibility for governing India. The last
textiles, such as carpets, rope, and textiles usingvestiges of the Mughal empire were also abolished,
man-made fibres.and in 1876 Queen Victoria was named Empress of
In the textiles sector, a range of factors are playing aIndia.
significant role in shaping the industry's development.India became a key part of the British Empire, and
These include:Victorian influence on the Indian way of life,
1. globalisation - with increased sourcing (particularly ofarchitecture and craftsmanship was very strong.
finished clothing) from lower-cost overseas countriesObjects in the ornate Victorian taste were made for
2. environmental legislation - rules affecting theexport to Britain, or for local rulers emulating the
development, use and disposal of chemicals can haveVictorian style in their palaces. Indian skills drew
a significant impact in the textiles sector (a majorwidespread admiration at the great international
consumer of dyes, pigments and oils)exhibitions that took place during the nineteenth
3. technology and research and development -century. The apparent placidity of the British Raj - a
including streamlined production processes, and theSanskrit word meaning rule - was short-lived, however.
development of new fibres and textiles (includingWith independence came renewed pride and interest
high-value technical textiles and technical fabrics).in traditional crafts which, in many cases, had almost
In the UK, the sector runs a trade deficit, the UKdied out through lack of patronage. The textile arts in
imports more textiles goods than it exports. There is aparticular came to symbolise national self-sufficiency
long tradition behind this.as European imports were rejected, and a new Indian
The success of English textiles in overseas markets,middle class evolved to take the place of the Mughal
between perhaps 1150 and 1250, was destined not toand British patrons of the arts.
last.The cloth trade of Flanders expanded during theBy the early 18th century, a complex network of
13th century, English cloths were gradually driven outcolonial trade had also been established over the North
and Flemish cloths invaded the English home market.Atlantic Ocean. This network was partially the result of
13th-century Flemish ascendancy was thenlocal conditions and of dominant wind patterns. It was
undermined by the superior finance and businessdiscovered in the 15th century, notably after the
organization of Italian firms, and the reign of Edward Ivoyages of Columbus, that there is a circular wind
may be thought of as an age of Italian hegemony inpattern over the North Atlantic. The eastward wind
the wool trade. Being able to control large funds ofpattern, which blows on the southern part, came to be
money, Italians often lent money to English woolknown as the "trade winds" since they enabled Atlantic
producers on the security of the wool crop, therebycrossings by merchant vessels. The westward wind
gaining control of large supplies of wool at a goodpattern, blowing on the northern part, came to be
price even before the sheep were sheared. Theknown as the "westerlies".
Italians supplied English wool to the cloth-makers ofSince sailing ships were highly constrained by dominant
Flanders, and from the late 13th century, to Italy itself.wind patterns, a trade system followed this pattern.
One expanding market of the later 14th century wasManufactured commodities were exported "clockwise"
Gascony, a specialized wine-producing region; it paidfrom Europe, some towards the African colonial
Gascons to export their wine in return for good qualitycenters, some towards the American colonies. This
cloths which they could not produce sosystem also included the slave trade, mainly to Central
advantageously themselves. This market was oneand South American colonies (Brazil, West Indies).
which English merchants, especially those from Bristol,Tropical commodities (sugar, molasses) flowed to the
captured from the Flemish after 1350. As the decliningAmerican colonies and to Europe. North America also
export of raw wool implies, English merchants of theexported tobacco, cotton, furs, indigo (a dye) and
15th century were much more likely to be enriched bylumber (for shipbuilding) to Europe. This system of
the profits of the textile trade than by exporting wool.trade collapsed in the 19th century with the introduction
By 1500, cloth merchants, or clothiers as they came toof steamships, the end of slavery and the
be called, were often significant employers, putting outindependence of many of the colonies of the
wool to be spun and yarn to be woven in privateAmericas.
households. London handled over 80 per cent of totalWind the clock on to the 18th and 19th centuries and
cloth exports by the 1530s.Manchester, and the towns of the region, generated
The British in India and the textile trademuch of Britain's 19th century wealth, as well as
The British East India Company - named to distinguish itpioneering much of its technological groundbreaking
from British trade in the West Indies - was founded inachievements. Methods in spinning, weaving and dyeing
1599 mainly to counter Portuguese domination of thehad become fully mechanised by the middle of the
spice trade. As soon as the British set up trading19th century, through inventors like Samuel Crompton,
settlements in India, however, they were impressed byand his spinning Mule, James Hargreave's Spinning
the quality of the textiles they found there. These hadJenny, Richard Arkwright, and many other's works of
normally been used as goods for barter with the spiceinvention. Steam and water had made power plentiful
producers of Indonesia.and still cheap, coal came from just down the road at
The painted and printed cottons, known as chintzes,Worsley through Lord Egerton's Bridgewater Canal,
were especially admired, as they had fast, brightthe new railways and the Ashton & Rochdale
colours superior to anything produced in Europe at thatCanals had made transportation close and convenient.
time. It was textiles, therefore, rather than spices whichMass production methods were gradually introduced
soon came to dominate trade between India andand productivity was at an all-time high.
Britain.Only the American Civil War interrupted profitability.
The local designs on the painted cottons wereRaw Cotton from the Confederate Southern Sates
considered unsuitable for British tastes, andwas being blockaded by the Union North, and this
specifications came from England as to how theyresulted in a major depression in all the textile trades
should be modified. The result was a hybrid 'exotic'by the early 1860s - a period known as "the cotton
style, usually based on flowering tree patterns, whichfamine". Nevertheless, many of the mills survived that
was used on wall-hangings, bedspreads and clothingperiod, and were in active and profitable manufacture
throughout the eighteenth century.until well after the Second World War, when they
Rivalry for trading privileges between the East Indiafailed to win orders against cheaper foreign imports.
Companies of Britain and other countries, especiallySome of these mills are with us today. Several are
France, was so strong that the Companies set up theirderelict, most are converted to other commercial or
own armies to defend their interests. Conflict betweenindustrial uses, though their tall, now smoke-free,
Britain and France during the Seven Years' War inchimneys still stand proudly, bearing witness to a time
Europe (1756-63) led to hostilities in India too, and thewhen they were important buildings of trade and
two countries began to wage war for control ofcommerce.
southern India.We are now in an era where the world has shrunk
Robert Clive, now known as Clive of India, led theand the economical viability of textiles from countries in
British armies to victory and effectively ended Frenchthe Far East where labour is cheap determines our
influence in South India, while offering protection to theconsumption.
local rulers who had supported him. Clive also