The Veria Network's Under the Sun Series on Sustainable Living - Review of the Oaxaca Episodes

An international documentary film production companymake-ups, Danone yoghurt, hot dogs and cookies.
was drawn to the central valleys of the State ofManuel, the engineer / manager of the museum and
Oaxaca while investigating regions of the world whereeducational facility known as Tlapanochestli, explains
sustainable living still plays a major role in the waythe historical importance of the cochineal industry while
people live. After a preliminary visit to the state capitalgoing through the lifecycle of the insect and production
to scope out the feasibility of story lines, its productiontechnique currently employed. Experimentation into the
team ultimately shot two, five-segment episodes in theuse of other natural dyes and fibers continues at the
heart of Oaxaca.research station.
The mandate of The Veria Network's cable TV seriesEpisode Two
Under the Sun is to capture a broad diversity ofLeRoy heads out to the rug weaving village of
locales, organizations and individuals involved in healthy,Teotitlán del Valle, where sheep have been
harmonious, holistic, and environmentally friendly livingsheered, and their wool spun, dyed and woven into
and business enterprises. Each episode features Britishrugs in basically the same manner, since the mid -
born Nathan LeRoy, a self-proclaimed adventurer,1500s. He watches a villager sheer a sheep using
investigating how age-old means of production persistnothing but a simple scissors and rope to tie it down;
into the 21st century, and examining sustainablethen takes a fascinating tour with Mariano Sosa, the
systems and products. This is done with ahead of a sixteen family co-op, to witness all the
not-so-subtle underscore: maintaining and promotingsubsequent steps such as washing the wool without
unity with the natural world provides humankind thedetergents, then drying and spinning it into yarn,
best opportunity to survive and thrive for generationsfollowed by using plants from an experimental site to
to come.create natural dyes - with the process'
Episode Oneuncontaminated water returning to the earth; and finally
LeRoy accompanies internationally acclaimed nativeweaving the most intricate of both traditional Zapotec
Oaxacan chef Pilar Cabrera Arroyo (Bon Appetit, Theand more innovative designs into tapestries and rugs.
New York Times, Toronto Iron Chef judge &For the next segment our host remains in the rug
competitor) to Oaxaca's Pochote Organic Market. Anvillage, awakening well before sunrise to accompany
interesting discussion ensues as to the certificationRocio and Malena of the extended family known as
process in respect to organic products. LeRoyCasa Santiago to a mill to have corn ground into masa
propounds that forcing growers to leap through hoops- in preparation for a lesson back at their homestead.
in attempting to obtain certification is actuallyTogether with Gloria, the matriarch of the family, they
inconsistent with supporting small- scale localprepare amarillo, the mole used in making a very
production. He then accompanies Chef Pilar to herspecial and typical festive dish unique to their town,
Casa de los Sabores (House of Flavors) Cookingtamales de amarillo con pollo. Breakfast includes hot
School for a lesson in preparing three dishes - anchocolate also made from scratch, enjoyed in the
organic salad with a honey mustard garlic dressing;traditional fashion - with a small loaf of pan de yema or
world famous mole negro, the most labor intensive ofegg bread, for dipping. The quaintness and welcoming
the many moles, traditionally made with approximatelynature of each and every family member is both
35 ingredients; and a delightfully fresh and uniquelystriking and memorable.
flavorful organic rose petal sorbet.Leroy then travels back in time to 16th century Toledo,
Our adventurer then meets up with a family of SanSpain. The ancient and well-chronicled Old World
Martín Tilcajete wood carvers and painters,knife-making technique is still practiced in the town of
headed by Jacobo Ángeles and MaríaOcotlán, by Apolinar Águilar. The
Mendoza. His goal is to learn about the town'smaster craftsman fashions knives, machetes, swords
longstanding Zapotec woodcarving tradition. Whileand much more, using only recycled materials. He
trekking through the countryside he and Jacobodemonstrates the use of his wood and skin bellows,
discuss the properties and uses of the copal tree fromstone and mud hearth, and a series of hammers,
which most figures - known as alebrijes - are carved.chisels, and other forging tools he himself makes to his
Leroy then explores the use of natural pigments forexacting specifications. His products range from letter
coloring the pieces; María deftly uses her handsopeners, to hunting and butchers' knives, to turkey
as palettes as she variously mixes tree sap and bark,carving and cutlery sets, to martial arts weapons, and
honey, pomegranate, corn fungus, berries and othercustom collector pieces. Even the fine finishes of the
natural substances to create a veritable rainbow ofblades and handles are creating naturally, without the
paint colors.use of chrome or nickel, varnish or lacquer.
Next he receives a lesson from a triumvirate ofOur adventurer next arrives in Santiago
absolutely charming apron-clad abuelitas (littleMatatlán, the self-anointed world capital of
grandmothers) on how to make three refreshingmezcal (also referred to as mescal), for a visit with
drinks, each of which is typical to the region andEnrique Jiménez, a spirits producer with a
commonly found in both urban and rural Oaxacanpedigree dating to his ancestors' 1870 arrival in the tiny
markets: agua de Jamaica (juice or water of hibiscusvillage. Enrique walks LeRoy through all stages of
flower), agua de limón (a natural limeade madeproduction of mezcal from the harvesting of agave in
with the outer peel), and the uniquely indigenousthe fields, to baking it in a pit over flaming logs and river
pre-Hispanic drink, tejate. Making tejate is a true art,rocks, then mashing it with the use of a horse dragging
and highly ritualistic. If a step in the process goes awry,a multi-ton stone, to fermenting in pine vats, and finally
the end result simply won't cut it. Being the Drink of thedistilling in a brick and mortar firewood-fueled oven.
Gods in pre-Hispanic times, process must be perfect.The sampling of the finished product includes a
Leroy then gets out into the fields just after dawn onetwo-year-old añejo aged in oak barrels, a much
morning, with a woman whose family has been makingyounger mezcal, and of course one "with the worm."
the naturally fermented drink known as pulque, forLeRoy concludes his visit to the State of Oaxaca with
generations. Pulque is perhaps the single leasta much needed relaxing and rejuvenating temazcal
understood drink in Mexico, at times mistakenly notedand massage. He arrives at the home of Doña
as the first stage in the production of mezcal andEmilia, a retired nurse of Zapotec heritage. After
tequila. The plant, one of several pulquero varieties ofdecades of tutelage from her grandmother she has
agave or maguey, must mature in the field for 15 - 18become an expert in the ancient art and science of
years before it yields aguamiel or honey water. Attemazcal. One of the hallmarks of temazcal is the
sunrise and sunset the liquid is religiously harvestedenvironment in which the ritual is enacted - an adobe
from a deep well in the center of the plant. Naturalhut with water and lava rocks used to create and
fermentation of the aguamiel occurs over the coursecontrol steam. It's akin to a sweat lodge where
of just a few hours. Be it myth or science-based, thechanting together with aromatic and curative herbs
indigenous guide counsels as to pulque's curative andand branches cleanse the body and soul.
life-prolonging properties.Watching the two episodes of Under the Sun gives
In the final segment of the episode LeRoy learns aboutthe viewer a glimpse into some of the present-day
cochineal ( cochinilla ), the minute insect which feedsmanifestations of sustainable living in the central valleys
off of the nopal cactus. Cochineal has beenof Oaxaca - and can just as easily be a precursor to
commercially cultivated, harvested and exported sincethe experiences of those contemplating a visit to the
early colonial times because of its unique property - itcity. Virtually every individual and institution highlighted is
yields a strong, natural red dye which to this day isaccessible by tourists within the context of a couple of
used in the production of such diverse products aswell-planned tours to the towns and villages
Campari, Knorr and Campbell soups, lipsticks andsurrounding the state capital.