World Fashion - Japan

Japan occupies an archipelago that stretches forthis is why women would whiten their faces with rice
2,400 km, isolated by the sea from the rest of thepowder. Eyes and mouth were accentuated. Prior to
world. Its geographic location, as well as the longthe Meiji Restoration, men also painted their faces with
periods of its political and cultural seclusion, have fueleda thick paste of white powder. On the other hand,
the conception of its uniqueness. Yet Japan has largelyblack symbolized nobility and it was an ancient tradition
been influenced by neighboring countries, especiallyfor men to blacken their teeth.
China, which prided itself on an ancient and highlyHeaddress was not popular, for women's hair was
evolved civilization when Japan was still living in thestyled in elaborate fashioned coiffures, adorned with a
Stone Age. It was only natural that Japan would seekvariety of pins and ornaments, kogai, as well as
guidance from its neighbor in all matters of technology,elaborate combs, kushi. Japanese women wore no
religion, economy, and even fashion.other jewelry.
Japanese political structure was also influenced byWomen from the upper class could go out in public
Chinese traditions, though rather ineffectively. Prior toand attend a limited range of leisure activities including
the 7th century AD, Japan was divided up among athe kabuki theater, where one could see and be seen.
number of clans, presided over by an inept emperor.Both men and women wore their best attire and
Then, in 645 AD, the Fujiwara clan rose to power andwould change clothing several times during the
proceeded to forge Japan's destiny.day-long performances. On the other hand, the kabuki
Junihitoe and the Heian eracostumes were one of the most striking aspects of
By the 9th century the powerful chief of the Fujiwarathe performances. They often set fashion trends in
clan had been made regent for the reigning emperor.Japan.
The Heian era (794-1185 AD) had began. Known asThe Tokugawa shogunate solidified the power of
the first great peak of Japanese culture, the Heianshoguns over the stratified social system. They ruled
period was characterized by courtly elegance. Indeed,over the distinct classes of warriors, farmers,
the aristocracy took great interest in clothing. Japanesecraftsmen, and merchants, officially in the name of the
noblewomen wore the junihitoe or "12 unlined robes". Itemperor, but in fact had stripped him of his power.
consisted of twelve unlined garments of differentSettled in their habits and traditions, shoguns believed
colors, worn one atop the other in such a manner thatthat Japan was immune to change and external
a narrow band of each robe was visible at the neck,influence. Their world, however, was already changing.
sleeves and hem.European culture and Christianity with its teachings of
The layered color patterns of the junihitoe reflecteduniversal equality would prove subversive to the
status, seasons, and virtues, among other things. Theestablished social system.
art of dressing was more highly regarded than moralIn the 17th century, Japan initiated a persecution of
values and personal traits. It revealed the wearer'sChristians and Japan withdrew from the outside world.
artistry and character.The self-imposed economic and political isolation, which
Under the junihitoe, women wore the kosode or "smalllasted for over two hundred years, was a time of
sleeves". The T-shaped undergarment made of whiteprosperity and peace. Unfortunately, it would have dire
silk was composed of two rectangular pieces of fabricconsequences. When in the 19th century westerners
sewn together at the center back and at the edges.returned with modern weapons, Japan's obsolete
Two additional pieces of fabric were added to themilitary presented no challenge.
front. The collar and the sleeves, with a small openingJapan had witnessed the role Europeans had played in
for the wrists, were attached at the end. Kosode, thethe forceful transformation of China and adopted a
forerunner of the kimono, had to be fitted to the bodyprogram of radical change of their own will. Unlike
every time it was put on.China, they had the means to change. The Tokugawa
The Heian noblemen wore the dsode or "largeera had brought economic success, which in its turn
sleeves". The large robe had wide sleeves with largehad led to a diversified society. The port of Osaka and
wrist openings and was worn with long, full trousers.Edo had been transformed into thriving metropolis and
Outside the court, people lived a simple, modest life.change was already in the air before U.S. Naval
Peasants could afford only base fibers and theCommander Matthew Perry forced open relations
majority had never seen the fine silks worn by nobility.with the Japanese in 1853.
The lavish existence of the elite was met by muchThe Kimono and the Meiji Restoration
criticism from the less privileged provincial clan leaders,In 1867, the Tokugawa shogunate came to an end and
which eventually would lead to the fading of thepower was restored to the emperor Mutsuhito. The
Fujiwara.Meiji ("enlightened rule") Restoration had begun. The
Kosode and the Edo eraJapanese government aimed for equality with the
In the period 1185-1333 AD power passed to theWest and knew it would have to acieve it on the
military dictators known as Shogun. Officially they ruledWest's terms. In the first five years Japan adopted a
in the emperor's name, but were in fact independent.prefectural system of administration, a postal system,
Their military retainers were the samurai. Both shoguna daily newspaper, a ministry of education, a railroad,
and samurai lived according to the Zen Buddhist idealsthe Gregorian calendar and military conscription. The
and to dress simply was a virtue. The volume ofsamurai warriors joined either the army, under
clothing was reduced layer by layer and the kosode,Prussians' leadership, or the navy, advised by the
that was once an undergarment, became the shogun'sBritish. Young men were sent abroad to learn the
outer attire. On the other hand, fighting armor was farwestern ways.
from simple.One of the innovations adopted from the West was
Kyoto natives dressed in the colorful robes and armorthe tailor-made dress. Western-style military uniforms
of Japan's famous samurai. With the rise of theand Western-style business suits were worn in public;
samurai, the kosode gained popularity, as it symbolizedthey, however, had no place in the privacy of the
the warriors' humble origins and was more suited to anJapanese home. Traditional-style architectural buildings
equestrian, military life.are carpeted with tatami mats and many activities
By the 16th century, articles made in Japan began tosuch as sleeping and eating are performed on the
appear in Western markets and European merchantsfloor. The fitted-costume was inappropriate and rather
became fascinated with the mysterious lands whereuncomfortable. Instead, Japanese wore the loosely
such magnificent objects were made. The Portuguesesashed version of today's kimono.
were the first Europeans to arrive in 1543. TheyKimono or "object of wear" was the word that in the
brought with them food crops from the Americas aslate 1800s replaced the centuries-old term kosode. An
well as muskets, which would help put an end to theaccepted explanation for that change of terms is that
baronial wars. A new power emerged, the Tokugawafaced with the cultural shock of finding themselves
shogunate (1615-1868), whose capital was moved todressed in western attire, the Japanese felt compelled
Edo, today's Tokyo.to find a new name for the historic robe.
It was in the latter part of the Edo period that theBridal attire includes a white under-kimono, with a black
kosode's elaboration reached its peak. This was mainlykimono or five-crested haori with haori cords for the
due to the advances in cloth-making techniques suchgroom worn over a hakama, or long pleated skirt of
as kasuri (ikat) or resist-dyeing; shibori (tie-dye), in whichwhite Sendai silk. The bride wears an uchikake, or
areas of cloth are tied off before dyeing; yuzen,quilted robe, often with a pattern of cranes, waves,
paste-resist dyed cloth patterned with freehand,and pines, as symbols of happiness, with an
brush-applied dyes; and shiro-age, in which the design isunder-kimono and an elaborately tied obi.
reserved entirely by paste-resist dyeing. Designers andThe patterning of each type of kimono is strictly
artisans also contributed to the elegance and beautycategorized. Styles include the dan ganwri, which
of the kosode by embellishing the monochromeconsists in alternating blocks of similar motifs; the
garment with intricate, colorful surface designs.katami gawariy in which the right and left halves of the
Women's cosode differed in style according to theirkimono bear a different design; or sode gawariy in
social status; Young, single women wore the colorfulwhich each sleeve is differently patterned. Nature is
furisode, a version of the kosode with long, hangingexquisitely present in motifs such as a blizzard of
sleeves. The older women's kosode allowed forblown blossoms, flowing water patterns, or scattered
prescribed changes in sleeve length, patterning andmaple leaves on pine bark.
coloration.Female underclothes are just as complex. They include
The popular sash that holds the kosode in place isa thin camisole with short sleeves known as
called the obi. Prior to the 1680s, this had been ahadajuban, a wraparound slip of a light fabric - the
narrow, flat tie or rope-like braid. It was only in the firstsusoyoke, and a third under-kimono made from a light,
decades of the 19th century that the obi expanded towhite fabric. Long-stringed rolls, pads, towels and
reach from under the bust to below the abdomen.padded vests are used to even out any defects of
Footwear did not differ for men and women. Itthe body line so the kimono will hang perfectly.
consisted of the hemp sandals or wooden clogsThe five-crested haori is another aspect of the
known as the geta, and the flat straw-soled sandals,tradition lying behind this formal attire. The crests refer
known as the zori. They were all secured to the footto the little circular motifs printed or woven into the
with thongs and worn with white cotton socks or tabi.haori cloth, representing a person's clan ancestry.
The okobo are tall wooden salad worn by the maikoJapanese heraldry is older than European and
during their apprenticeship. They vary in color accordingcomprises 400 basic family crests, with over 20,000
to the maiko status.sublineages.
Pale skin was aesthetically pleasing and sought after,